At first glance, Shara Hughes’ colorful and extravagant landscapes are chock full of everything we love in famous paintings: the palette of Henri Matisse or David Hockney, the stylistic inventiveness of Edvard Munch or Paul Cézanne, the painterly gestures of Philip Guston or Josh Smith, perhaps even van Gogh’s brushwork. She quotes this masculine tradition in landscape painting deliberately and unabashedly.

This monograph is the first to present a comprehensive overview of Shara Hughes’ work and includes a foreword by Eric Troncy, an essay by Gesine Borcherdt, and interviews conducted by Isabelle Graw and Barry Schwabsky.

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