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Galerie Eva Presenhuber is delighted to return to Frieze Los Angeles with new and significant works by Amy Feldman, Matthew Angelo Harrison, Wyatt Kahn, and Tschabalala Self.

Our presentation at Frieze Los Angeles reflects vital discourses within contemporary art and highlights the manifold approaches to painting and sculpture integral to the gallery's program.

For further information, please reach out to our sales team here.

TIS-1

Installation view, Galerie Eva Presenhuber, Frieze Los Angeles, Los Angeles, 2022

Installation view, Galerie Eva Presenhuber, Frieze Los Angeles, Los Angeles, 2022

Installation view, Galerie Eva Presenhuber, Frieze Los Angeles, Los Angeles, 2022

Installation view, Galerie Eva Presenhuber, Frieze Los Angeles, Los Angeles, 2022

Installation view, Galerie Eva Presenhuber, Frieze Los Angeles, Los Angeles, 2022

Installation view, Galerie Eva Presenhuber, Frieze Los Angeles, Los Angeles, 2022

Installation view, Galerie Eva Presenhuber, Frieze Los Angeles, Los Angeles, 2022

Installation view, Galerie Eva Presenhuber, Frieze Los Angeles, Los Angeles, 2022

Installation view, Galerie Eva Presenhuber, Frieze Los Angeles, Los Angeles, 2022

Installation view, Galerie Eva Presenhuber, Frieze Los Angeles, Los Angeles, 2022

Installation view, Galerie Eva Presenhuber, Frieze Los Angeles, Los Angeles, 2022

Installation view, Galerie Eva Presenhuber, Frieze Los Angeles, Los Angeles, 2022

AMY FELDMAN
Frieze Los Angeles
Frieze Los Angeles
Frieze Los Angeles
AMY FELDMAN

AMY FELDMAN
We Three
2021
Acrylic and silkscreen ink on canvas
101.5 x 127 x 4 cm / 40 x 50 x 1 1/2 in
FELAM50790

AMY FELDMAN
Frieze Los Angeles
Frieze Los Angeles
Frieze Los Angeles
Frieze Los Angeles
AMY FELDMAN

AMY FELDMAN
Infinite Intimates
2021
Acrylic, silkscreen ink, and impasto on canvas
127 x 101.5 x 4 cm / 50 x 40 x 1 1/2 in
FELAM50789

AMY FELDMAN Grey Gospel
Frieze Los Angeles
Frieze Los Angeles
AMY FELDMAN Grey Gospel

AMY FELDMAN
Grey Gospel
2020
Acrylic, silkscreen ink, and impasto on canvas
200.5 x 200.5 cm / 79 x 79 in
FELAM48735

AMY FELDMAN  Loose Truth
Frieze Los Angeles
Frieze Los Angeles
Frieze Los Angeles
Frieze Los Angeles
Frieze Los Angeles
Frieze Los Angeles
AMY FELDMAN  Loose Truth

AMY FELDMAN 
Loose Truth
2019
Acrylic and silkscreen ink on canvas
200.5 x 200.5 cm / 79 x 79 in
FELAM48732

AMY FELDMAN

AMY FELDMAN
We Three
2021
Acrylic and silkscreen ink on canvas
101.5 x 127 x 4 cm / 40 x 50 x 1 1/2 in
FELAM50790

AMY FELDMAN

AMY FELDMAN
Infinite Intimates
2021
Acrylic, silkscreen ink, and impasto on canvas
127 x 101.5 x 4 cm / 50 x 40 x 1 1/2 in
FELAM50789

AMY FELDMAN Grey Gospel

AMY FELDMAN
Grey Gospel
2020
Acrylic, silkscreen ink, and impasto on canvas
200.5 x 200.5 cm / 79 x 79 in
FELAM48735

AMY FELDMAN  Loose Truth

AMY FELDMAN 
Loose Truth
2019
Acrylic and silkscreen ink on canvas
200.5 x 200.5 cm / 79 x 79 in
FELAM48732

MATTHEW ANGELO HARRISON
Frieze Los Angeles
Frieze Los Angeles
Frieze Los Angeles
Frieze Los Angeles
MATTHEW ANGELO HARRISON

MATTHEW ANGELO HARRISON
Clouded Ectype

2021
Wooden sculpture from West Africa, polyurethane resin, acrylic and aluminum stand
Total dims. 123 x 26.5 x 33 cm / 48 1/2 x 10 3/8 x 13 in
Sculpture 21.5 x 21 x 30.5 cm / 8 1/2 x 8 1/4 x 12 in
Pedestal 101.5 x 26.5 x 33 cm / 40 x 10 3/8 x 13 in
HARRI50609

MATTHEW ANGELO HARRISON

MATTHEW ANGELO HARRISON
Clouded Ectype

2021
Wooden sculpture from West Africa, polyurethane resin, acrylic and aluminum stand
Total dims. 123 x 26.5 x 33 cm / 48 1/2 x 10 3/8 x 13 in
Sculpture 21.5 x 21 x 30.5 cm / 8 1/2 x 8 1/4 x 12 in
Pedestal 101.5 x 26.5 x 33 cm / 40 x 10 3/8 x 13 in
HARRI50609

WYATT KAHN Arms in Arms
Frieze Los Angeles
Frieze Los Angeles
Frieze Los Angeles
WYATT KAHN Arms in Arms

WYATT KAHN
Arms in Arms
2021
Oil on lead on panel
106.5 x 94 x 7 cm / 42 x 37 x 2 3/4 in
KAHNW50558

WYATT KAHN
Frieze Los Angeles
Frieze Los Angeles
Frieze Los Angeles
WYATT KAHN

WYATT KAHN
Toes in the Pool, La Cadière-d'Azur
2021
Oil on lead on panel
127 x 106 x 7 cm / 50 x 41 3/4 x 2 3/4 in
KAHNW50559
 

WYATT KAHN
Frieze Los Angeles
Frieze Los Angeles
WYATT KAHN

WYATT KAHN
Pile of Crescents
2021
Linen on linen on panel
115.5 x 113 x 14 cm / 45 1/2 x 44 1/2 x 5 1/2 in
KAHNW48436

WYATT KAHN
Frieze Los Angeles
Frieze Los Angeles
Frieze Los Angeles
WYATT KAHN

WYATT KAHN
Untitled
2021
Linen on linen on panel
113 x 132 x 16.5 cm / 44 1/2 x 52 x 6 1/2 in
KAHNW48279

WYATT KAHN
Frieze Los Angeles
Frieze Los Angeles
WYATT KAHN

WYATT KAHN
Untitled
2019
Lead on panel
122 x 99 cm / 48 x 39 in
KAHNW47159

WYATT KAHN Arms in Arms

WYATT KAHN
Arms in Arms
2021
Oil on lead on panel
106.5 x 94 x 7 cm / 42 x 37 x 2 3/4 in
KAHNW50558

WYATT KAHN

WYATT KAHN
Toes in the Pool, La Cadière-d'Azur
2021
Oil on lead on panel
127 x 106 x 7 cm / 50 x 41 3/4 x 2 3/4 in
KAHNW50559
 

WYATT KAHN

WYATT KAHN
Pile of Crescents
2021
Linen on linen on panel
115.5 x 113 x 14 cm / 45 1/2 x 44 1/2 x 5 1/2 in
KAHNW48436

WYATT KAHN

WYATT KAHN
Untitled
2021
Linen on linen on panel
113 x 132 x 16.5 cm / 44 1/2 x 52 x 6 1/2 in
KAHNW48279

WYATT KAHN

WYATT KAHN
Untitled
2019
Lead on panel
122 x 99 cm / 48 x 39 in
KAHNW47159

TSCHABALALA SELF
Frieze Los Angeles
Frieze Los Angeles
Frieze Los Angeles
Frieze Los Angeles
Frieze Los Angeles
TSCHABALALA SELF

TSCHABALALA SELF
Rainbow Bronze Sun Kissed
2021
Painted bronze with optional carpet
Ed. 3/3 + 2 AP
178 x 122 x 61 cm / 70 x 48 x 24 in
SELF 46291

Sold

TSCHABALALA SELF

TSCHABALALA SELF
Rainbow Bronze Sun Kissed
2021
Painted bronze with optional carpet
Ed. 3/3 + 2 AP
178 x 122 x 61 cm / 70 x 48 x 24 in
SELF 46291

Sold

Tschabalala Self’s sculptures reveal the depth, intri- cacy, and singularity of her formal strategy and tech- niques for investigating the iconographic significance of the Black female form in contemporary culture.

Self’s sculptural practice has become vital to her oeuvre over the last five years. One of the first sculp- tures Self made after graduating from Yale Univer- sity in 2015, Garter, was exhibited in a group exhi- bition alongside artists including Simone Leigh and Shinique Smith. Many of the characteristics we see in Self’s subsequent sculptural works are seen in Garter, most notably the heart-like shape and Self’s preoccupation with the idea of giving her pain- tings “legs.” Since creating Garter, Self has expan- ded her sculptural practice to include a variety of materials such as plaster, upholstery, and bronze.

Rainbow Bronze is Self’s first work in bronze, cast from her 2016–2019 sculp- ture Rainbow which had been made in wood, plaster gauze, and acrylic paint. Through the casting process, this singular figure can exist as a multiple in the world.

Self centers Black women as agents of creativity and creation: “The Black woman’s body is the first body. The Black woman’s body has given life to all hu- man bodies that exist today. It’s a point of reference for all of us...the Black fema- le body for me also is generous and full of abundance. If the Black woman’s body were a physical place, I would see it as Eden. That’s how I would like to imagine it.

TIS-4

Installation view, Tschabalala Self, By My Self, Baltimore Museum of Art, 2021

Installation view, Tschabalala Self, By My Self, Baltimore Museum of Art, 2021

Installation view, Tschabalala Self, Bodega Run, Hammer Museum, 2019

Installation view, Tschabalala Self, Bodega Run, Hammer Museum, 2019