Over the past ten years, Kahn has examined the spatial relationship between painting and sculpture to construct a visual vocabulary of representational and abstract forms that integrate formal concerns with materials from everyday life. His new works are playful narrative compositions with oversized figurative icons taken from domestic life. The deep, rusted red tone of the sculptures is a result of the natural weathering process of Cor-Ten steel, contrasting with the lush green foliage the LongHouse garden. The series was previously on view at City Hall Park, New York. In June 2023, two sculptures are shown at Art Basel Parcours 2023. 

See the installation views here. 

Celebrating the Museum’s 125th anniversary, this landmark exhibition honors the East End’s rich artistic legacy and brings greater attention to major artists practicing here today. Forty-one artists have selected works from the collection to be shown along with their own. Rondinone's contribution, the alphabet of my mothers and fathers, is made of twenty-six panels arranged as a grid on all four walls of the gallery. Each panel holds a set of preindustrial farming and kitchen tools collected by the artist in the past three years from different farms and garage sales on Long Island.

Learn more about the exhibition. 

For his group of works Sunrise. East, Rondinone assigned a head with characteristic, highly reduced facial features to represent each calendar month. Larger than life and cast in shiny silver aluminium, the massive sculptural heads are reduced to their facial expressions: With mouths agape, they gaze from small eyes, from friendly and naïve to sceptical, from surprised to eerie. They trigger the most diverse associations, evoking ritual masks and ghosts, as well as the visual language of comics, emoticons, and memes. Visitors to the Städel Garden are invited to come face-to-face with all twelve creatures – and thus every month of the year – and experience the various joys, adversities, and emotions of an entire year in fast forward.

Find out more about the exhibition here. 

A work by Joe Bradley is included in the group show A Leisurely Stroll - The Tenth Anniversary of The Long Museum at Long Museum, Shanghai. The theme of this exhibition is "A Leisurely Stroll", which points to two concepts that I want to talk about: one is "time and history", and the other is a "way of seeing". The show is curated by Wang Wei. 

Find out more about the exhibition here. 

This year's Biennale Weiertal revolves around "common ground": it is about social and ecological justice, and how closely they are linked. This becomes clear with regard to the current global exploitation of people and nature, to the distribution of resources on the planet that is supposed to be our "common ground". With 17 artistic contributions, among which Sam Falls, the garden in the Weiertal becomes a place of reflection and perhaps even the nucleus of social utopias that are carried from here into the world.

See all installation views here.

Storm King Art Center will resent the sun and the moon, twin sculptures, which are both over sixteen feet tall, and are formed with delicate circles fashioned from cast-bronze tree branches, one silver-leafed and the other gilded. Installed parallel to one another, the sun and the moon are aligned along an east-west axis, like portals or apertures with views of Schunnemunk and Storm King Mountains.

Find out more about the exhibition here. 

Liam Gillick’s intervention in the permanent collection of Berlin’s Museum of the Ancient Near East, titled Filtered Time, opened to the public in April 2023. Using light, color, shape, projection, sound, and almost no text, his intervention comes at a time when the Pergamon Museum, in which this collection is housed, is projected to close at the end of 2023. Gillick agreed to realize his project amidst difficult debates about how to deal with these buildings and the fraught colonial histories they house, about which he spoke to Jörg Heiser. 

Read the full conversation between Liam Gillick and Jörg Heiser here. 

Works by Karen Kilimnik and Verne Dawson are included in Beautiful, Vivid, Self-contained, a group exhibition at the Hill Art Foundation curated by artist and writer David Salle. The exhibition brings together paintings and sculptures by artists working across different eras, mediums, and geographies to explore the nature of affinity between works of art. The show is on view in Chelsea from April 21 to July 21, 2023.

Find out more about the exhibition here. 

"[...] These paintings are time. They take it and give it away. They move toward the viewer and away with him. They transform themselves in him for it is he who shifts them into a subjective shade of time and recreates them. And yet they continue to exist, indeed by simply existing they are the most basic form of dialogue. A dialogue that never demands affirmation nor negation, but decision - even if without compassion, for this picture in this moment, that is, in time! [...]"
— Tobias Pils

Find out more about the exhibition here. 

This conversation with Doug Aitken and Neville Wakefield explores the origins of Aitken’s Mirage project (2017 – ongoing), and the continuum between the inaugural Desert X in the Coachella Valley and its newest exhibition. This program is presented in conjunction with the forthcoming release of Aitken’s immersive monograph Mirage, co-published by JRP|Editions and ZOLO PRESS, in collaboration with LUMA for Elevation 1049. This publication will also be presented on June 10 at Galerie Eva Presenhuber at the openign of Aitken's new exhibition HOWL. 

Click here to RSVP. 

Titled after a line from Hesiod’s eighth-century BC epic poem Theogony (“Harmful Night, veiled in dusky fog, carries in her arms Sleep, Death’s own brother”), this new exhibition by Steven Shearer revolves around this uneasy proximity (“brotherhood”) between death and sleep, a recurring trope in Shearer’s art. Built around the George Economou Collection’s substantial holdings of Steven Shearer’s work in painting and printed matter, Sleep, Death’s Own Brother proposes an in-depth look at the oeuvre of this Vancouver-based artist from the transgressive thematic perspective of the lifeless body, which is sometimes truly, sometimes only seemingly dead.

Find out more about the exhibition here. 

The Bündner Kunstmuseum is dedicating Dieter Roth an exhibition that by means of representative work groups gives a rare overview of his copious printmaking. The exhibition curated by Dr. Dirk Dobke and Dr. Ina Jessen for the Deichtorhallen Hamburg will be presented in an adapted form and brings together material and print works from all creative periods in the most comprehensive Dieter-Roth-exhibition in a good 20 years. 

See all installation views here. 

After their collaboration in burn to shine (2020), Ugo Rondinone and the French-Morrocan choreographer Fouad Boussouf join forces again in the world premier of VÏA. This new ballet piece with a decor by Rondinone takes the spectators on a trip across the rhythms of urban hip-hop, the splendor of Arabian folklore, and the extravaganza of Nouveau Cirque, ultimately leading dance back to its origin in the material soil. The presentation takes place at the Ballet du Grand Théâtre de Genève from April 19 to 23, 2023.

Find out more about the project here.

Since April 22, 2023, two picturesque Piedmontese villages, located between Turin and the French Riviera, host site-specific a public artwork by Liam Gillick in collaboration with Hito Steyerl, as well as a sculpture by Jean-Marie Appriou.

See the installation views of Liam Gillick and Hito Steyerl here. 

See the installation views of Jean-Marie Appriou here.

Chase Hall was commissioned by the Metropolitan Opera in New York to produce a large-scale artwork banner for its opera house on the occasion of the piece Champion (April 10 - May 13, 2023). His monumental diptych, Medea Act I & II (2022), is on view at the Met Opera through June 2023. 

See all banners of the Metropolitan Opera here. 

John Giorno’s vision for a shared, open-access repository of information was groundbreaking in a pre-digital world. Dial-A-Poem was first presented at MoMA in the 1970 exhibition Information, organized by Kynaston McShine. Galvanized by social movements, including opposition to the Vietnam War, Giorno incorporated numerous works by radical poets and political activists. This exhibition features notes and documentation that illustrate how he originally arranged the poems, as well as phones containing 200 randomized poems selected by the artist in 2012 from his archive of thousands.

Find out more about the exhibition here. 

In the exhibition Valentin Carron & Jacques Chessex, the Tichy Ocean Foundation presents two of the most well-known French-speaking Swiss artists. Central to this exhibition is Valentin Carron’s larger-than-life sculpture Man and Child. It was conceived especially for the Tichy Ocean foundation exhibition and is placed, as per the artist’s wish, with more than fifty Chessex’s collages (1934-2009), meant as a sculptural haven of peace for the rather existential paper-works.

Find out more about the exhibition here. 

Human Is juxtaposes historical with newly produced artworks. The exhibition paints a polyphonic picture of the mutual penetration of body and technology: it addresses the often violent interdependence of humans on their technological surroundings and opposes any promises of salvation through trans-humanistic progress. Simultaneously, it opens up spaces of possibility in which dual-istic taxonomies can be overcome in favor of a networked and interdependent existence. With a contribution by Matthew Angelo Harrison. 

Find our more about the exhibition here.

Since its emergence in the Bronx in the 1970s, hip hop has grown into a global phenomenon, driving innovations in music, fashion, technology, and visual and performing arts. Coinciding with the 50th anniversary of the birth of hip hop, The Culture: Hip Hop and Contemporary Art in the 21st Century captures the extraordinary influence hip hop has had on contemporary society through more than 90 works of art and fashion by some of today’s most important and celebrated artists, among them Adam Pendleton and Tschabalala Self. 

Find out more about the exhibition.  

The exhibition Ein Ruheloses Universum by the artist duo Peter Fischli David Weiss shows the two works Surrli (1989) and the original Rat and Bear costumes (2004). The two animal figures appear in Peter Fischli David Weiss' work in various roles, for example as protagonists in the film The Least Resistance (1980-81) or as "authors" of the artist book Order and Cleanliness (1981) – two works which are also part of the exhibition at the Bechtler Stiftung.

See all installation views here. 

In April 2023, Ugo Rondinone, curator of the exhibition when the sun goes down and the moon comes up, and the choreographer Fouad Boussouf work together on VÏA at the Grand Théâtre de Genève, a new piece for the Ballet du Grand Théâtre de Genève. In March, as an appetizer, Fouad Boussouf imagines for the Ballet a way to inhabit the exhibition. The result of two weeks of intense work in the “rhythmic spaces” imagined by Rondinone on the ground floor of the Museum of Art and History, Corps (im)mobiles invites us to discover the exhibition in a different way.

Find out more about the project and purchase tickets here.

The exhibition ON STAGE explores the various theatrical and stage-related forms of expression in art since the 1960s, when a neo-avant-garde critical of tradition began focusing on performative and actionist art forms that endowed artists with a stage-like presence, often in front of an audience. The Viennese Actionism with its provocative and time-critical theatricality is just as much a part of this as the Vienna Group, whose literary cabaret stands firmly in the tradition of Dadaist theater, or the Fluxus-Movement with its media crossovers. The exhibition shows 150 works and work series, among them a painting by Tobias Pils, most of which are culled from the holdings of the mumok collection.

Find out more about the exhibition. 

As the signs that we need to rethink the polarity between nature and culture are multiplying, the exhibition “Nature Humaine – Humaine Nature” invites us to explore the complex relationship between humanity and nature. Although the fourteen artists seem to share the desire to foreground the urgent issues we face and to rethink our behaviours, they engage with different realms. Their works, including sculptures, drawings and videos, capture apparently bucolic elements or evoke the disastrous effects of humanity’s domination over the rest of the living world.

Find out more about the exhibition here.

Highlighting an interest in the history, technology, form and aesthetics, function or symbolism of flying objects, the exhibition centers around planes, airships, collections around the Balloonmania, wind tunnel models, collections of the Museum of Air and Space and archival images to pay tribute to the essential history of this building in aerostation and atraumatic. The group exhibition will bring together major figures of international artistic creation, among them the artist Doug Aitken. In the park outside the hangar, a sculpture by Ugo Rondinone is on view.

Find out more about the exhibition here. 

The Swans: Karen Kilimnik/Stephanie Seymour Paintings and Dresses, mixes Karen Kilimnik’s romantic paintings in which a youthful Leonardo DiCaprio and other stars and fashion models are cast in leading roles, with selections from Stephanie Seymour’s collection of vintage haute couture created by the eponymous designers Azzedine Alaia, Courreges, Christian Dior, Yves Saint-Laurent, Paco Rabanne and others. The resulting exhibition consists of imaginatively calibrated vignettes of paintings and fashion, which celebrate glamour, beauty, fantasy, and the occult through the eyes of two singular yet overlapping perceptions. The title references the mid-century high society women who Truman Capote dubbed the “Swans”.

Find out more about the exhibition here. 

In a historical first, the Vorderasiatisches Museum and the Hamburger Bahnhof – Nationalgalerie der Gegenwart join forces on a trans-historical, site-specific presentation by British artist Liam Gillick throughout the halls of the Pergamonmuseum. From Babylon’s iconic Ishtar Gate to the monumental sculptures of Tell Halaf, Gillick adds layers of sound, light and colour – creating an overlay to evoke connections across periods of the Pergamonmuseum.

Find out more about the exhibition here. 

Watch as artists Gelatin and Liam Gillick transform the Kunsthalle Wien exhibition space into a nightmarish film set. Based on the book To Live and Think Like Pigs, this improvised experimental film follows the story of four delusional, narcissistic, privileged young snobs as they navigate a time of political turmoil. You’ll almost feel like an extra in the film’s monumental faux-stone architecture set as you witness the main characters move through stages of development and self-reflection... until everything collapses.

Stream the movie from March 24, 2023, here. 

Pioneer (2023), a new sculptural work by Tschabalala Self, is now on view in this year’s Desert X, the recurring exhibition that activates desert locations through site-specific installations across the Coachella Valley. For most, the expansiveness and freedom of the American West is inextricably tied to the Stetsoned archetype. Forgoing the forefathers, Self’s Pioneer is a monument built in homage to the collective foremothers of contemporary America — the largely unidentified Native and African American women whose bodies and labour allowed for American expansionism and growth. It stands as a visual representation of their birthright and place within the American landscape.

Explore the viewing room here.

Chase Hall interrogates the realities of race in America through innovative figurative painting techniques and iconography that engage the past and the present. Using coffee grounds as pigment on raw cotton canvases, Hall varies the levels of coarseness and fineness of the bean to achieve a range of tonal values, metaphorically articulating a non-monolithic Black experience and evoking his biracial hybridity. The artist’s first solo museum exhibition brings together new paintings and an impressive installation featuring a century-old, self-playing Wurlitzer organ ensconced in a brick room, evoking the museum’s historic structure — and the breath and memory of those who created it. 

See all installation views here. 

Gerwald Rockenschaub's exhibition reappropriation (allure/construct) is on view at Schlossmuseum Linz from March 31 to July 2, 2023. The artist is one of the most internationally renowned representatives of contemporary Austrian art. Since his artistic beginnings in the Neo Geo movement of the 1980s, he has developed a stringent oeuvre characterized by radical reduction and precision. His works reveal borrowings from constructivist-concrete traditions as well as an interest in the abstraction of form, which plays an essential role in the creation of pictograms and similar pictorial signs.

See the installation views here. 

mumok presents New York artist Adam Pendleton’s first comprehensive solo exhibition in Europe. Pendleton’s painting is a continuous index in which gestures are recorded, transposed, and overwritten. Since 2008 he has articulated much of his work through the idea of Black Dada, an ever-evolving inquiry into the relationship between Blackness, abstraction, and the avant-garde. In his paintings, drawings, and other works, a visual philosophy of incomplete postulates emerges, flattening the distinctions between legibility and abstraction, past and present, familiar and strange. Curated by Marianne Dobner.

See all installation views here.

On the occasion of the 20th anniversary of the Pinakothek der Moderne, the Modern Art Collection presents itself anew on 3,600 square meters of exhibition space with around 350 works by more than 150 artists. Under the programmatic exhibition title MIX & MATCH, painting, sculpture, graphic art, photography, and video art meet for the first time in thematic spaces that transcend epochs and media. One of the artists included in the exhibition was Tschabalala Self. 

See all installation views here. 

Shara Hughes' solo exhibition at Kunsten Museum of Modern Art showcases over 30 new and recent large-scale paintings and works on paper, many of which take inspiration from the Nordic landscape and light. The works were created following Hughes's residencies in Skagen and The Boathouse at Louisiana Museum of Modern Art, Humlebæk.

See all installation views here.

Karen Kilimnik's solo exhibition Swan Lake at Kunsthaus Glarus is on view from February 26 to June 25, 2023. The exhibition presents two installative settings featuring Kilimnik's works Swan Lake (1992) and Kitri and friends at the garden folly (2004). Flanking these are paintings from different years that depict a “forest clearing as stage” theme but which also engage intrinsically with presence and absence. With these and other works, the exhibition highlights Kilimnik’s artistic ability to continually renegotiate the conditions of established narratives within and beyond her time.

See all installation views here. 

Tschabalala Self's solo exhibition Inside Out at Kunstmuseum St.Gallen is on view from February 25 to June 18, 2023. The artist is deeply engaged with the medium of painting. She paints with various pigments, materials, textiles and threads. Her unique technique includes found, acquired, and hand-­dyed fabrics. With these she creates figures that depict avatars rather than individuals. The artist draws from her personal experiences as a Black American woman. In this context she stages bodies that are often exalted and excluded within her imagined environments.

See all installation views here. 

Sam Falls’s show at moCa Cleveland, Ohio, the artist’s first major solo museum exhibition, offers expansive insight into his unique practice of collaborating with nature to create monumental paintings and sculptures.

See all installation views here. 

In his exhibition at Secession, Vienna, Swiss artist Jean-Frédéric Schnyder showed a retrospective of his painting from almost forty years (1983–2021). This episode of the Secession Podcast: Artists is a conversation between the artist Jean-Frédéric Schnyder and the curator Jeanette Pacher.

Listen to the full podcast here. 

Kunstmuseum Winterthur is presenting a retrospective of the American artist Oscar Tuazon, covering the years from 2000 to the present. For the exhibition in Winterthur, the artist is realizing an expansive wooden structure that is a sculpture, model house, meeting place and event forum all in one. By going beyond the limits of the room, it creates a new, incomparably more informal space for encounter and art.

See all installation views here. 

The National Museum, Oslo recently received a significant gift from Carroll Dunham, consisting of no less than 161 impressions dating from the 1980s to the present. A selection of these are shown in the exhibition Carroll Dunham. Where am I? Prints 1985–2022, opening on February 3.

See all installation views here. 

Bergen Kunsthall presents a large-scale exhi­bition with new works by the American artist Oscar Tuazon. For his exhibition at Bergen Kunsthall, curated by Axel Wieder, Oscar Tuazon presents a scaled-down version of the initial Water School pavilions. The structure will occupy all four main gallery spaces of the Kunsthall and create a series of rooms in which inside and outside blurs.

See all installation views here. 

The Musée d'art & d'histoire invited Ugo Rondinone to take over its collection and its main building to create a unique aesthetic experience. More than 200 pieces from the MAH's collection are used and staged in a continuous dialogue with Ugo Rondinone's works, including new productions created especially for the occasion.

Take a tour through the exhibtion. 

Gerwald Rockenschaub's solo exhibition at Belvedere 21, Vienna, officially on view until March 12, 2023 shows colorful surfaces, figures, and shapes flicker, jerk, and twitch in a dynamic but silent manner on the walls: at the Belvedere 21, Gerwald Rockenschaub has created a sensory overload that is both minimalist and complex and extremely precisely staged, requiring close observation. His multimedia work possesses a distinct style defined by the principle of distillation to a few but essential elements, structures, and color contrasts. 

Learn more on Belvedere 21

In the newest video with Public Art Fund, artist Wyatt Kahn and curator Daniel S. Palmer discuss Kahn’s first public art exhibition, Life in the Abstract. Together, they delve into the inspiration drawn from Kahn’s daily life, connections to his broader practice, and how the sculptures reflect the democratizing spirit of public art. On Wednesday, December 7, there will be an Artist Talk with Wyatt Kahn, where he will address his multidimensional practice encompassing painting, drawing, and sculpture, focusing on Life in the Abstract.

Watch on Public Art Fund

The strong, vivid hues shining in this collection appear as the shades of the rainbow. A color spectrum beautifully represented in Ugo Rondinone's visual cosmos, particularly his rainbow works. WE ARE POEMS embodies the artist's fascination with poetry emphasizing the subjective, the irrational, the emotional. The Swiss-born, New York-based artist believes that poetry-like art-needs no explanation, no thinking, but rather demands simply to be felt. Creative Director Albert Kriemler has selected this artwork as a symbol for the self-evident sensuality of Akris clothes and as a perfect representation for the 100 year anniversary of the fashion house.

View the Défilé here

the water is a poem
unwritten by the air
no. the earth is a poem
unwritten by the fire

Every autumn since 2015, the Petit Palais, Paris has invited contemporary artists to exhibit alongside its permanent collection. This year, Ugo Rondinone will present an exclusive exhibition opening October 18. At the Petit Palais, Rondinone presents three groups of works including the world premiere of his video installation burn to shine. The trilogy reflects the union of the human body with natural elements.

Learn more on Petit Palais

Kunstmuseum Luzern is dedicating a major exhibition to the American artist Shara Hughes. The exhibition Time Lapsed, curated by Fanni Fetzer, will present significant landscape paintings by Hughes. Her steep coasts, river courses, sunsets, and abundant gardens play with remembered landscapes of the kind that we all can recall.

Learn more on Kunstmuseum Luzern

Tschabalala Self’s first solo institutional exhibition in Europe, Make Room, will present new and recent paintings, sculptures, and works on paper. Curators Franck Gautherot and Seungduk Kim introduce the exhibition as presenting works where the relationships between the masculine and the feminine are expressed with domestic figures and poses alternating between light and shadow.

Learn more on Le Consortium

Villa Medici in Rome has invited the French artist and sculptor Jean-Marie Appriou to unveil a series of new pieces that will populate the gardens of Villa Medici this summer. As part of the cycle Art Club, curated by Pier Paolo Pancotto, these recent creations take up the core figures of Appriou's practice, whose deeply dreamlike visual universe is imbued with telluric concerns.

Learn more on Villa Medici

The Schirn is dedi­cating a large survey exhi­bi­tion to Ugo Rondi­none that will show­case key paint­ings, sculp­tures, and video works by the renowned Swiss artist. The exhi­bi­tion LIFE TIME combines funda­mental themes that have shaped the work of the concep­tual and instal­la­tion artist for the past 30 years: time and tran­sience, day and night, reality and fiction, nature and culture. 

Learn more on Schirn Kunsthalle

Organized by Public Art Fund, Life in the Abstract is Wyatt Kahn’s first public art exhibition, comprising seven new monumental sculptures fabricated in Cor-Ten steel. Each sculpture juxtaposes components adapted from Kahn’s abstract canvas paintings with “readymade” items like eyeglasses, clock, comb, hand, foot, and other elements from his domestic life. 

Learn more on Public Art Fund

Ugo Rondinone has been appointed as the Guest Curator of Sculpture Milwaukee’s 2022 exhibition. The exhibition, entitled Nature Doesn’t Know About Us, will include “thirteen works by thirteen artists who combine skeptical clarity and at times humor-tinged desire to locate the intersection of spiritual and physical presence in our daily life,” according to Rondinone.

Learn more on Sculpture Milwaukee

The Musée d’arts de Nantes invited Angela Bulloch to design an exhibition specifically for the museum's atrium. Undeterred by the monumentality of the space, the artist integrated her work into its architecture pursuing a practice of blending light, color, video, and sound. Bulloch drew on the legacy of the conceptual art of the 1960s, while also incorporating digital technologies to produce work that appeals to the senses. 

Learn more on Musée d'arts de Nantes

On the occasion of the 59th La Biennale di Venezia, the Scuola Grande di San Giovanni Evangelista hosts a major solo exhibition of work by the Swiss artist Ugo Rondinone, entitled burn shine fly. Curated by Javier Molins, burn shine fly presents both iconic works by Rondinone as well as a new body of work created specifically for this exhibition.

Learn more about burn shine fly

Adam Pendleton will participate in the Whitney Biennial 2022: Quiet as It's Kept. Established in 1932 to chart developments in art of the United States, the Whitney Biennial is the longest-running exhibition of its kind. A constellation of the most relevant art and ideas of our time, the 2022 exhibition will be the Biennial’s eightieth edition.

Learn more on Whitney Museum of American Art

New York-based artist Adam Pendleton’s first solo exhibition in Canada, These Things We’ve Done Together, presents new monumental paintings from his series Untitled (WE ARE NOT) as well as drawings from his defining series Black Dada produced this year. The exhibition also includes a video portrayal of the avant-garde dancer, choreographer, and filmmaker Yvonne Rainer.

Learn more on Montreal Museum of Fine Arts

Bern celebrates the important Swiss artist Jean-Frédéric Schnyder with a hanging of the holdings in the collection of the Kunstmuseum Bern and a solo exhibition at the Kunsthalle Bern. At Kunsthalle Bern, new, rarely, or never-before-seen works from 1970 to the present are brought together, including those that were not necessarily planned as works of art, but resulted from daily activities.

Learn more on Kunsthalle Bern

Bern celebrates the important Swiss artist Jean-Frédéric Schnyder with a hanging of the holdings in the collection of the Kunstmuseum Bern and a solo exhibition at the Kunsthalle Bern. For the exhibition at the Kunstmuseum Bern, the artist himself has made a selection of 68 earlier paintings and sculptures and arranged them in an overall installation.

Learn more on Kunstmuseum Bern

nude in the landscape at the Belvedere 21 is Ugo Rondinone’s first solo show in an Austrian museum. In the sunlit glass pavilion of the Belvedere 21, the artist brings together new groups of works from the classic genres of the nude and the landscape. 

Learn more on Belvedere 21

This major exhibition focuses on the importance of Steven Shearer’s archive of photographic and print material, collected over the past 25 years, and showcases how this pictorial reservoir continues to act as source material for works across a variety of media, including sculpture, prints, drawings, and painting.

Learn more on The Polygon Gallery

Ugo Rondinone’s performatively costumed and made-up clowns stand in as those figures who remain outside society’s mainstream. In a time in which we have spent hours contemplating solitude, Rondinone offers the opportunity to explore notions of being through his community of jesters. 

Learn more on Auckland Art Gallery

In this Sydney-exclusive exhibition, see Doug Aitken's installations, objects, photographs, and vast immersive multi-screen environments that will envelop you within a kaleidoscope of moving imagery and sound. Aitken's works lead us into a world where time, space, and memory are fluid concepts.

Learn more on MCA

Valentin Carron's latest body of work examines figuration as a fundamental concern of art and translates this into a contemporary visual language. Through this supposedly worn-out motif, he explores the origins of artistic representation and uses his sculptures to relate to the first cultural expressions of man. 

Learn more on Museum im Bellpark

Shara Hughes’ latest landscape paintings transcend spirituality, which was inspired by physical nature, bridging utopia and reality. The Bridge not only is an epitome of Hughes’ creative breakthrough during the pandemic but extends to her profound understanding of life and death, man and universe, ephemerality and immortality.

Learn more on Yuz Museum

Who Is Queen? transforms MoMA’s Marron Family Atrium into a dynamic arena exploring Blackness, abstraction, and the avant-garde. Adam Pendleton has created a spatial collage of text, image, and sound—a total work of art for the 21st century.

Learn more on MoMA

For Oscar Tuazon, the artistic practice is a principle of life. His works are de facto inseparable from what can be called a life project, which includes living on the fringe of society, at the periphery of social codes, in pursuit of harmony with the environment that surrounds him.

Learn more on Bienal de São Paulo

Shara Hughes is often referred to as a landscape painter, but from the artist’s point of view, her paintings “are not really about landscapes” at all. Hughes' first major solo museum show in the US, On Edge includes more than 30 paintings, drawings, and prints.

Learn more on Contemporary Art Museum St. Louis